These are linked poems created week by week for a year, inspired by the book No Choice But To Follow, and the poets therein who did it first.
Showing posts with label Rosemary Nissen-Wade. Show all posts
Showing posts with label Rosemary Nissen-Wade. Show all posts

Saturday, 27 December 2014

December #4

You Should So Ask For Help ...

You should so ask for help
that a wind will rise from the stones
and swirl around you, buoyant:
a soft cloak, a raft of air,
a sweet in-rush of breath.

You should so ask for help
that rain will fall gently, washing
all debris away from your path,
so you walk forth unobstructed
raising your face to be bathed.

You should so ask for help
that the grasses will ripple before you
like waves of an earth ocean,
as they flatten to ease your steps
and spring back straight behind.

You should so ask for help
that the sun and all the stars
brighten and flare at your call,
and people around you suddenly smile 
as you yourself are warmed.

First you must ask for help
to ask in such a way — must ask
for the long slow gifts 
of trust and patience,
humility, strength, integrity.

Or find the quicker way:
pray to be an instrument
of Love, Peace and Truth. 
Create with these a vision so large 
that all you are and do is in its service.

Whether you sleep or wake,
speak or be silent, scratch an itch,
make love, argue, go shopping ...
the vision is more than you; it holds you,
contains and fills you — that one!

Be prepared for your vision to take
if need be, lifetimes, and leagues of angels.
Seek to enrol the whole world
on to your team. Ask for help....
Take heart. You should so ask.

— Rosemary Nissen-Wade

Friday, 28 November 2014

November #4

Old Lady with Cat

While my body snores
at last, on these humid nights,
he, my black-haired darling,
prowls the cool outdoors.

Mornings he's nearly always
back, sharing my bed,
accepting an embrace
before requiring breakfast.

If I wake up still alone,
by the time I open the door
he's running up the front steps
calling a greeting.

We remember the others
who were here, whom we loved,
but now they are ghosts, and this
is the end time (may it be long)

when we, being finally only two,
are all-in-all to each other.
In age we learn the true things —
e.g. this is important, e.g. this is enough.

— Rosemary Nissen-Wade

Wednesday, 29 October 2014

October #4

Diagrams in Felt-Tipped Pen

Or in pencil. Or biro.
Sometimes even fountain-pen —
we used them then, and my parents
gave me a slim one for my twelfth birthday.
The felt tips, of course, came quite a lot later.

But I never lost the habit,
starting in school exercise books.
'You're a great old doodler, aren't you?'
one English teacher said — but tolerantly.
I was always top of the class in English, after all.

It was an aid to thinking.
Don't ask me how that could be;
I only know it worked for me. Between
taking notes, I filled the corners of the pages
with close, elaborate, complex, abstract shapes.

Nothing recognisable —
not at all realist, nor naturalist.
It was all geometric: endless variations
of triangles, rectangles, diamonds, squares,
tempered by circles and coils, arcs and undulations.

After creating the outline
I might then decide on sections
to fill in solid, painstakingly making
new patterns in the old traditional shapes.
Each pattern piece was tiny; the whole, intricate.

When Rorschach tests became
the latest whizz-bang thing, back in
the seventies, some of my (ahem!) friends
wondered aloud what my doodles might reveal
and made rude, amused speculations, with guffaws.

By then, I was doodling upon
telephone message pads, train tickets,
restaurant menus, as well as my own journals
and the edges of any letters I still wrote by hand —
the ones to elderly relatives, who still thought that polite.

Those who knew me well
came to accept this eccentricity.
They seldom even remarked on it any more.
I decided it had to do with the pattern-making urge
and therefore, I supposed, not inappropriate for a poet.

Then the whole world changed.
Now I write emails on computer, make poems
on my iPad, jot down the shopping lists on my phone.
We text each other details we need to remember. No place
for proliferating diagrams in felt-tipped or any other kind of pen.

— Rosemary Nissen-Wade

Sunday, 28 September 2014

September #4

They Try Again

They try again
to recollect the flavour
of what was,
hunting through trophies
only they can find:
the personal phrases,
the unimportant
yet cherished habits —

but it's thundery cold outside
and they who hide within
are only two now,
who must make new tales
to warm themselves, other
memories to gather later.

— Rosemary Nissen-Wade

Saturday, 30 August 2014

August #4

It Only Needs to Win Once — You Think? 

Courage, you think,
only needs to win once.
After that you can relax,
never fear again,
be always brave and daring,
confident like others —
the everyone else
who, you're always being told,
aren't scared.

But it doesn't work like that.
Courage is needy, wanting 
your full attention,
refusing to be taken for granted.
It wants to own you;
catching you with your pants down,
wants to give you a thrill — the biggest.
Courage is a very
demanding lover.

Or else it's a wilful child
that runs away.
You have to chase after it,
find it, bring it home,
settle it — embrace it
all over again.
Every time.
Too bad if you tire 
of the game.

You think you only need
to win once,
but it's not enough.
Each time is new —
new effort, journey, struggle, 
catch of breath.
But then, it's all that terror
(grin) 
provides the thrill.

— Rosemary Nissen-Wade

Tuesday, 29 July 2014

July #4

Easy, Do What's Right
A Dedication

I walk in procession
by candlelight, 
cloaked in white 
for my pure intention. 

We form a circle. 
I make affirmation
claiming myself as Goddess,
Daughter of the Divine.

The two women presiding
gently remove the white, 
enfold me
in my own rich magenta.

Earlier, my magenta cloak
lay stretched across the altar
between the candelabra
and the ceremonial sword.

Alone in the temple
I, who in my long life
bent the knee to none,
was moved to kneel to the Goddess.

Private vows; public avowal.
Afterwards all the women dance,
and I with them,
in our cloaks of light.

I am wrapped
in the peace of the Goddess,
embraced by the warmth
of my sisters.

I walk forward
into this new, late stage of life
and find it easy,
knowing it is right.

— Rosemary Nissen-Wade

Saturday, 28 June 2014

June #4

Round and Round and Round and Round …

And round we go again,
spinning again on this pretty planet

as if the intricate dance 
were forever, its patterns important.

The moment seems to matter.
My cats are old and sick, my man is dead.

Tell me that’s not important.
Important to me — but not to some stranger

across the world, not to
animals in zoos or jungles, not at all

to insects living their little lives
and not to the stars in space, nor the space.

My friend is sad for her old mother
finally dead in her nineties: wondering, “Did I do 

enough?” (She did. I was witness.)
All these small human dramas we all repeat,

caught in the cycle. As if brand new
as we each meet each one as if for the first time.

Yet when we sink to restful emptiness,
how well we know that music, that old refrain.

It wells up to remind us, nothing 
is new, nothing is really unknown, nothing 

is individual. We spin our lives
again and again on our spinning planet.

Round and round and round and round 
we go again — caught in the spin, dreaming 

our little dramas as if they were real, 
as if we were here, as if we were now, as if….

(Lately I dream that I dream.
Does this mean I’m ready to wake?)

— Rosemary Nissen-Wade

("Round and round and round and round we go again" — I'm not plagiarising, just alluding!)

Wednesday, 28 May 2014

May #4

Suits Her Just Fine

Pleasure is now
a mug of cocoa, 
an Anzac biscuit
and a fine book to read.

Well, it always was —
but she remembers too
shopping at night in Kathmandu,
or meeting that shaman in Cusco.

She remembers lovers, 
their beautiful faces
and questing minds,
including the three she married.

And oh, she remembers loss,
hands that she held
as their owners died ...
the emptiness of dead bodies.

Now her elderly cat
comes every night
to lie beside her
on the wide bed.

The bed is warm.
The cat purrs.
Pain in muscle and bone
subsides.

— Rosemary Nissen-Wade

Monday, 28 April 2014

April #4

Lifting the Lid

The things we find when we go deep
can be mysterious, like dreams.
Descending the abyss of sleep,
we find not all is what it seems.

For dreams use symbols, and distort
the things we find when we go deep.
Decoding leaves us overwrought,
unsure if we should laugh or weep.

Yet, if we take a wakeful peep
below the lid of consciousness,
the things we find when we go deep
may still be anybody's guess.

Myself, I'd rather meditate 
(the path of therapy being too steep)
and in that peace to contemplate
the joy I find when things go deep.

— Rosemary Nissen-Wade

Friday, 28 March 2014

March #4

The Point is the Light

We walk from the temple
after the feast,
down the hill to the car.

Navigating uneven ground, 
I catch a glint between stones: 
black sheen,
and a blue-green inky sliver.

A peacock's chest feather?
The splinter of colour
along its spine
flashes iridescent 
against the surrounding dark.

I turn it this way and that
between finger and thumb —
such a tiny thing —
watching the brightness 
move and spread.

My friend finds another,
rainbow stripes fanning
wide across the tip.
"They're both yours," she insists.

(Earlier, over dinner,
she helped fend off 
that oaf who tried to hit on me.)

— Rosemary Nissen-Wade

Friday, 28 February 2014

February #4

Off the Rails

Good girl mostly,
dreams herself
light and white,
fairy-like.

Shivers, though, 
in the night,
when the red
rises inside ...

Or when the black
swirls around her
and she sinks
beneath its tide.

The demons,
the dragons,
the serpents 
invite her.

Tensing her mind,
she locks out
their fearful 
seductions.

So it goes
for the years
of her growing.
Then, explosion.

The rushing red
can't be contained,
the deadly black
won't be denied.

They froth forth
in cataclysmic
eruptions —
then subside.

Slipping and sliding
right off the rails,
she plunges
down the cliff.

Revelation:
she floats on
an ocean
of wondrous calm.

The voices
were always her own.
She opens herself
to their song.

— Rosemary Nissen-Wade

Saturday, 25 January 2014

January #4

What Links Us

My neighbour is playing his music.
This afternoon our windows 
are closed against the heat
yet still I hear the heavy pulse
of the drum, of my throbbing blood,
my heartbeat, everyone's heart,
across our dividing courtyard.

This morning I swam
in the hydrotherapy pool.
There was my old friend Irwin, 
stretching his herniated discs.
'I can't do this in the river,' he said,
and I remembered all of us swimming 
with him in his river, years ago.

At Christmas I went back
to the town I grew up in.
The hospital there, where I was born
and my little brother was born,
was also where my Nana, who'd held me
in her lap, died. I was four. 
Now I am 74. I still love her.

The handsome lizard in my kitchen —
how did that get in? — didn't scurry away
but kept very still. I opened the back door
and fetched the broom. Could I
manoeuvre it out? I don't like 
killing the creatures. Oh, but this one
was dead already, a gift from the cat.

Do I put these things before you
as question, answer, or neutral description?
Not to instruct you how to think,
let me just tell you what I imagine:
all the trees of the world messaging each other,
their roots connected through earth 
and their branches sharing the air.

— Rosemary Nissen-Wade